LOVE IS NOT THE
SUBSTANCE THAT
BINDS US,
THAT WOULD BE
GRAVITY.
I still write about love like it’s the big thing. Upmost importance is the love between
me and (an)other. Romantic partner, best friend, parent, self, etc. The love and loss
between these individuals, people, that is the big thing. And why should I think like
this, prioritise singular loving singular? Even in discussions of self-love we fail to
mention the millions of bodies that forge our structure (Hildyard, 2017). It is singular
me, my edges seen in the mirror that I shall subscribe love to (Lacan, 1953). It is
humanity that I shall subscribe love to in whatever packages that comes (Morton,
2017). My fixation on kisses, houses, beds, sex, text messages. It is a privileged
mind that considers love to be the big thing. That takes loves name and considers it
priority over morality (Butler, 2021). A western love is not ethical. A monogamous
love, narratives of pining for completion; that I am a puzzle missing pieces and if you
kiss me correctly, I will feel ‘done’ for a minute. It is cruelty that considers the other to
be plot point and yet this is forgiven in the name of love.
The killing story is direct, shaped like a spear: the hero goes on quest, conquers
beast, and returns home to soak in his riches (Le Guin, 1986). And yet we don’t
notice its violence should all narrative steps be soaked in ‘love’. He pines for love,
finds it distorted, shapes it with his knife to his liking, and places it on his mantel
piece, a trofie that completes him; a woman (Berger, 2008), positive relationship with
his parents, himself. We must ask why our concept of love is shaped by the killing
story. And why is its reward a domestication of the prize, a domestication of self,
living forever in golden hour, the credits fall as the sun does, and then stops. The
earth no longer rotates for his story, there is no more conflict to be had because he
has found/constructed/mutilated a ‘real’ love.
Why in late stage capitalism, in the carnival of consumerism is ‘love’ the prize to be
won? for some the prize to be won is money/power of course, but for the mass,
those that consider ourselves moral, or part of the system but not really wanting to
be part of it, functioning in it to survive, the end goal, that which is craved at a
supposedly cellular level is love. Not peace nor justice nor revolution but love? In
white households the ideation of this emotion is rooted into us through fairytales, tv
shows, games, advertisements, conversations (Fisher, 2009) (Žižek, 1989). It taught
to us so young that we might consider it intrinsic to human nature – longing for love.
And yet longing for peace, for empathy, understanding, community, solidarity,
sustainability, that is secondary. That is a political view, something to be learnt later,
a decision you make as you find your own ‘moral compass’, situating yourself on the
political cartesian plane, and yet ‘love’ is supposedly apolitical. That isn’t a decision,
that we glorify longing and wanting until the only love we know is built from reprise.
Until our heart only knows desire through melancholic melodies that sing of
something we have only had glimpses of, outside of rectangular, and time sensitive
observations, in a physical world love is rich with disappointment, and undivorceable
from the baggage of media indoctrination (Fisher, 2009) (Žižek, 1989) Western love
ideals cannot be replicated in fluid states of becoming, it relies on end points that is
infinity after the credits fade. Western love is terrified of death and constantly acts as
though cameras are present (Debord, 1967). It may only be told from a singular,
protagonist perspective, no matter how flawed our heroes actions, their intentions,
their morality, we still ascribe them with righteousness because they are searching
for what we too are searching for. We project the hero onto ourselves, with endless
justification for immoral actions should they be completed in the name of that which
is inherently righteous - love.
I have a haphazard memory of watching the beginning of Eat, Pray, Love as I went
upstairs to get food one day. My mum was watching it on the couch, and I didn’t stay
to finish it as the beginning had disgusted me so. Julia Roberts (or maybe not Julia
Roberts, I don’t remember), had said to another middle aged white woman (maybe
that was Julia Roberts) that while she was in India, in the slums, talking to people
who had lived their lives in innate poverty with little hope of escape from systemic
oppression that landed them in conditions that made them physically ill, left them
perpetually hungry, that the first and foremost thing people cared about was
(monogamous, nuclear) love. If that boy over there had noticed them or not (Eat
Pray Love, 2010). I’ve never been to slums in India, I’ve never been to India at all,
and so I can only comment from place of assumption. But this western narrative,
killing story of love being projected onto people living in crippling poverty is beyond
tone deaf, it is completely blind. Julia Robert’s character-adject is the consumer of
this film, its target market. And the film itself proposes a sense of similarity between
the western middle-and-up class and those living in India’s slums. At the end of the
day, we all really want the same thing – love. The white middle-and-up class woman
(my mother) who is consuming this media sighs a breath of relief to her sense
responsibility observing this simulacra of poverty (Baudrillard, 1994), and knowing
she has expendable income, investment properties, incoming inheritance. The real
people these characters represent, their priority is not food, clean water, functioning
sewage systems, what they need is love, just like me. And unfortunately in my
position, love is not something I can provide for them. Because love is a journey, an
arc, narrative, they must travel through. Singulars searching for singulars, their other
half, or indeed them‘self’s. Her white guilt, class guilt melted from her shoulders
leaving her weightless in her viewing experience.
The quest for love is one that lacks responsibility outside of the self, and yet it is
considered vitally important because it makes the person ‘whole’. Love is an ego-trip.
I draw parallels to white Christian religious practice in times of disaster, whether it be
personal, communal, vast or small. That in searching for action from the church, or
whatever scriptures, the person is told to pray. To speak to the omnipotent body of
love and ask for help, ask for their invisible longing for purpose and direction to
become real, material, grow limbs and reach down to act on their behalf. When
asking the church what to do in times of need, the church may as well say do
nothing, and be proud of it. Hoping is enough, wanting change is enough, thinking is
enough, ideology is enough. In western countries, built on Catholicism, I cannot help
but see similarity between the concept of prayer and the acceptance of mental
dissonance. In western philosophy how much attention is given to modes of thought
over actionable solution. Or indeed modes of thought becoming considered action,
reducing guilt to continue literal action of oppressive qualities. For those of us who
do not believe in God, we believe in ourselves, we believe in love, the apex of ego.
‘The search for love’ is so prevalent in western thought as an answer to ‘purpose to
life’ because it conceptually and actionably embodies western capitalism. Firstly, it is
completely naturalised and compulsory, inherently gendered, a performative action,
seen to be natural as it has been perpetuated through narrative and cultural
structures. Western love is structured around the individual, and the benefits of
individualism – finding another just like you. The idea of the quest, pining and longing
that is built around love would not exist should we not observe the world through a
theatre of difference, separability, uniqueness. The promised euphoria in finding your
other half, only exists in understanding the world through mass division. There is a
prize to be won, there is an end goal to be achieved, an object (a woman) to be
collected. Secondly, it is the great distractor. So long as the masses, especially the
privileged masses, are focused on their search for love, there attention is being
redirected from objectively larger issues (global warming, the fracking of soil, body
and mind in the name of capital, mass homelessness, ecological racism transporting
our waste to the global south so we can’t see it, digital information being controlled
by 4 companies so we are caught in algorithmic echo chambers that simply reinforce
liberalism, the impending oil crisis, overpopulation leading to mass starvation, etc,
etc, etc). And no, love is not the solution to those either. It’s an inherently selfish
fixation, which is why capitalist culture loves it, benefits from it, embodies it.
It is vital to observe state approved media through the lens of state intention. And
why should the mass of mainstream media be so centred on love through primary or
secondary narrative arcs if this obsession does not benefit the state. If the promise of
its glory doesn’t blind us to the rat race, if it isn’t a carrot dangling above our heads.
Why should every narrative be embedded with a romantic sub plot if its mechanisms
don’t enforce the idea of self-actualisation and completion to only occur through
compulsory heterosexuality, nuclear monogamy, and ownership (Butler 1999). If it
doesn’t embed us with insatiable desire to enact becoming as though it is a
collection of images (Debord, 1967). And if these images weren’t essentially
something that could be purchased (Baudrillard, 1996).
Western love is a commodity – in that it is the narrative of what it is that gives it
reason to exist, and our desire for it to be in possession of that narrative. Much like
the selfhood, self-actualisation, self-care, is a commodity in the west, this idea can
be bargained for, not directly bought like object commodities, but in through the
accumulation of objects that can be bought. Idealisations of selfhood, love/lovability,
as well as morality or ethical substance, are the three main ideas that purchase of
object commodities promise (Baudrillard, 1996). They are the points at which
advertisers reach our ‘soul’ and embed us with insatiable desire: to be a person, a
good person, and a person who is loved or can become loved by others (Žižek,
1989). Our desire for purpose through these idealisations provides us with western,
capitalist substance to live by, purchasable purpose, vote with your wallet, etc. The
real desire we feel for these commodified ideas are the same as the desire we feel
for commodified objects; it’s promises shed once its held in hand, and all that is left
is insatiability of desire (Lacan, 1960). I have acquired this and yet I still don’t feel
whole, I still don’t know who I am, I still feel inherently lacking. It is not self nor love
nor purchasable morality that will create a complete person, because what western
thought and English language persistently neglects is the undeniable truth that there
is no real personhood, there is no sense of completion, no real edges between an
agent and their environment (Morton, 2013)(Tsing, 2013)(Hildyard, 2017).
The struggle for love in a material life, that is carved and conditioned by images of
love, quickly turns violent. The partner I had adored turns ugly outside of the lens of
my adoration. Once I am aware of their agency, the discrepancies between mine and
their thinking, I feel cheated. I was promised to be understood, finally held on the
inside and this man cannot read my mind at all. I scream in my release of frustration,
holding no space him should he not promise to bend himself to my shape. Because
that is true love, a foregoing of agency in name of another. And my aggression may
be forgiven, only love could make me so enraged, could be the spark of a violence I
will call passion. That I’ve seen that forgiven in the movies. That some more stable
loves will die without violence because they are called boring. If they are not
traumatising, if they don’t force me into schema, my inner child throwing tantrums
because I was neglected by my mother. She was promised true love, true ownership
over the life she grew in her belly. And its discrepancy from her moral value, the
realisation of a future abandonment that is adulthood for them will leave her barren.
Angry at prospects of agency and the loss of nonverbal being that she ascribed her
desire to. She digs her claws in me, or leaves me earlier than she needs to, in name
of coping with that loss. There is no village of mothers to hold me, because in
western, nuclear dynamics, I can only be seen as hers (Lewis, 2022). Other mothers
would resent me lacking their blood. And her neglect will indeed be useful: will be
made reasoning for my shortcomings in adulthood, for my ability to traumatise others
in the name of love, for my fear of abandonment, that should be pinned on my
mother rather than an obsession with love that is precarious, only occurring through
isolated beings, such that if they drop me, I will fall with no mesh nor community to
catch me.
Western love is programmed as bi-polar, bouncing between perpetual desire, and
perpetual resentment. The emotional violence this causes forever enacted on the
other, possessive, or explosive abuse is so often justified in the name of love. And
upon the love ending, other half leaving, resentment turns inwards, and the issue
becomes us: why do I not know how to love properly? why can I not love people
without tearing them to shreds? Why does everyone leave me? why will no one love
me as I am, here and now without any shred of self-analysis or growth.
What we feel as painfully lacking from a love, is a craving for possession, that can
never be filled by a living, breathing agent (Baudrillard, 1996). The love commodity,
narrative ideation cannot truly be owned. It can always be sold, and never owned.
I’d like to think of the capitalist skewed desire for possession of the other stems from
a deeper-rooted desire for telepathy (Bernal, 1929). That in my desire for love I don’t
really want to own them, but rather put their brain inside my brain, and my brain
inside of theirs. I’d like to think the anxiety of constructing an identity as an agent, a
person, is in fact an anxiety at my mind’s separation from other minds around me. I’d
like to think that capitalism innate need for individualism and hierarchy was in fact a
reasoning, a making use of a species that is conscious, but separate. Our cultural
body is there, but unintelligible; I cannot think through the cultural membrane, and
yet all my thought drips from it. Its counter-intuitive evolution that has spun out into a
theatre of absurd violence: the ideological echo-chamber deepens with all of its
material consequences.
Scientific practice is not queer enough to focus on actualising telepathy, between
humans or humans and object or humans and culture. Mycelium might have already
done it, but alas I am not a mushroom, nor a tree in the forest (Tsing, 2013) (Bridle,
2022). We should instead act in desire for telepathy, desire for wholeness, in spite of
the self, this feeling absolutely should not be ascribed with the word ‘love’, as its
cultural weighting, at least not in white, western countries. Instead, the word
‘solidarity’ is more fitting. Solidarity does not put human ideations above the material
(Morton, 2017). There is no hierarchy, no theatre of difference, or fantasy of
independence (Butler, 2021). Solidarity is not an emotion we are introduced to
through images, it does not serve the intention of the state. It enables our erotic
desire (Lorde, 1984), quests for fulfilment without the promise of fullness or comfort,
it allows us to be fluid, and observe the self as a point of intersection, connection
between cultural and physical reality. It does not presume hierarchy between thought
and reality, instead shedding light on these thought patterns as a guide for our
agency, and our agency, like that of the bees in my garden, to be relevant to a whole.
I depend on the floor I walk upon, I depend on it blooming so I might be fed (Butler,
2021). It depends on me decomposing so it might bloom, and there we have
solidarity, a mutual respect for our impact on one another (Kimmerer, 2021).
Solidarity is not scared of death nor time, it does not consider the human soul to be
incomplete, such that it does not consider souls to have edges. It does not only give
power to that we can immediately perceive and arrange these perceptions into
hierarchies with our selfhood at the top. Solidarity denounces individualism, in favour
of a mesh (Morton, 2013). Viewing flesh as liquid, and liquid as gas, and gas as
plasma, and plasma as light, and light as particles, and particles as waves, and
waves as gravity, and gravity as faith, and faith as solidarity. Love is not the
substance that binds us. it is substance itself that means we are inherently bound.
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